1
00:00:10,927 --> 00:00:13,054
THE WORLD WOULD BE BETTER
WITHOUT BAGS LIKE VOLPI,

2
00:00:14,264 --> 00:00:17,392
BUT I NEED IT
AS MUCH AS YOU NEED IT.

3
00:00:17,475 --> 00:00:19,394
[Volpi]<i>DON'T LOSE SIGHT</i>
<i>TO THE TOURIST,</i>

4
00:00:19,477 --> 00:00:20,395
TO THE BLONDE.

5
00:00:20,895 --> 00:00:22,188
[Volpi]<i>YOU KEEP ME INFORMED.</i>

6
00:00:22,772 --> 00:00:24,524
I WANT ANGELA
GET A DNA TEST,

7
00:00:24,607 --> 00:00:27,152
JUST TO REMOVE THE DOUBT
IF JAVIER IS HIS DAD OR NOT.

8
00:00:27,235 --> 00:00:28,486
A LITTLE SALIVA, NOTHING MORE.

9
00:00:29,529 --> 00:00:33,366
[Ojeda] YOU KNOW PERFECTLY
THAT YOU DRIVE ME CRAZY,

10
00:00:33,450 --> 00:00:36,828
SO YOU'RE GOING TO LEAVE
YOUR LITTLE GUN THERE

11
00:00:36,911 --> 00:00:38,371
AND YOU'RE GOING TO GET NAKED.

12
00:00:38,913 --> 00:00:40,915
- WHAT INTERESTS YOU ABOUT MEXICO?
- I WANT THE WHOLE MARKET.

13
00:00:40,999 --> 00:00:42,709
- WHAT MERCHANDISE?
- FENTANYL.

14
00:00:42,792 --> 00:00:44,627
AH, I DON'T GET IT.
COME ON, NIKOS.

15
00:00:48,673 --> 00:00:50,884
OUR MEETING
IT'S NOT OVER YET.

16
00:00:57,599 --> 00:00:59,476
YOU STILL PREFER
TAKE THE DIFFICULT ROUTE.

17
00:01:03,354 --> 00:01:05,857
NO NO.
IT IS NOT THE DIFFICULT ROUTE.

18
00:01:06,483 --> 00:01:09,527
WITH YOUR ORGANIZATION IT IS VERY EASY
DISTRIBUTE FENTANYL, MAKE...

19
00:01:09,611 --> 00:01:11,237
I'M NOT REFERRING
TO FENTANYL, BITCH.

20
00:01:12,697 --> 00:01:14,574
DON'T YOU REMEMBER HOW WE ENDED
THE LAST TIME?

21
00:01:14,657 --> 00:01:16,743
[Beloved] FUCKING.
DO YOU WANT THAT?

22
00:01:17,619 --> 00:01:21,289
OH, I'M SO SORRY THAT YOU'RE STILL LIVING
BURIED IN THE PAST.

23
00:01:25,084 --> 00:01:27,670
YOU'RE STILL THE SAME
ALWAYS AMBITIOUS FUCKER, BITCH.

24
00:01:32,592 --> 00:01:33,968
[vehicle noise]

25
00:01:37,555 --> 00:01:38,932
[tires squeal]

26
00:01:42,268 --> 00:01:43,645
[vehicle noise]

27
00:02:10,046 --> 00:02:11,840
SMALL PROBLEM

28
00:02:12,715 --> 00:02:13,675
NO, BELOVED! NO!

29
00:02:13,758 --> 00:02:15,385
- [gunshots]
- LOVED!

30
00:02:22,600 --> 00:02:23,726
[scream]

31
00:02:26,646 --> 00:02:28,064
- YOU KNEW IT, BITCH.
- [Volpi] NO.

32
00:02:28,148 --> 00:02:29,524
[Beloved]
YOU KNEW IT AND YOU LET IT GO.

33
00:02:29,607 --> 00:02:32,110
NO, QUIET, QUIET,
QUIET. YOU'RE CRAZY.

34
00:02:32,193 --> 00:02:33,403
- NO, NO, NO.
-[groan]

35
00:02:35,029 --> 00:02:37,365
WHY DID YOU DO IT?
WHY DID YOU DO IT, SON OF A BITCH?

36
00:02:37,448 --> 00:02:38,575
BECAUSE?

37
00:02:38,658 --> 00:02:40,451
YOU KNEW THAT THAT
SHE WAS ONE OF MY AGENTS.

38
00:02:40,535 --> 00:02:41,870
- [Volpi] AH!
- [Beloved] YOU KNEW IT.

39
00:02:42,120 --> 00:02:44,789
A WOMAN, ALWAYS
JUMPING PROTOCOL, HUH, BELOVED?

40
00:02:44,873 --> 00:02:45,999
WHAT ARE YOU LIKE, HUH?

41
00:02:46,749 --> 00:02:48,751
YOU WERE BEHIND THE CONTRABAND,
SON OF A BITCH.

42
00:02:49,752 --> 00:02:51,462
- BUT YOU FUCKED UP.
- NO!

43
00:02:51,546 --> 00:02:52,881
[bang]

44
00:02:54,007 --> 00:02:55,133
[scream]

45
00:03:05,101 --> 00:03:06,185
I DIDN'T PLACE THE BOMB.

46
00:03:09,480 --> 00:03:11,566
I SWEAR TO YOU BY MY SON,

47
00:03:11,983 --> 00:03:13,902
I DIDN'T PLACE THIS BOMB.
GOES.

48
00:03:20,783 --> 00:03:23,411
[Athina] HOW BEAUTIFUL THIS IS, DIANA.
LOOK, WHAT A BEAUTIFUL COLOR.

49
00:03:23,828 --> 00:03:25,163
YES, I LOVE IT. TRUE?

50
00:03:25,246 --> 00:03:26,748
- OH, NO, MY LOVE.
- TRUE, YES.

51
00:03:27,999 --> 00:03:29,334
- [Diana] HEY, ATHINA.
- [Athina] YES?

52
00:03:29,459 --> 00:03:32,420
- [Diana] WHAT DO WE DO?
- THE FIRST THING IS THAT THEY DON'T REALIZE

53
00:03:32,503 --> 00:03:34,088
- WE KNOW HE IS FOLLOWING US.
- [Diana] NO.

54
00:03:34,172 --> 00:03:35,965
NO, NO, WHAT ARE YOU GOING TO REALIZE?
IF EVERYTHING HERE IS WELL

55
00:03:36,049 --> 00:03:37,926
WE ARE TRYING ON THINGS, RIGHT?
DO YOU LIKE THIS?

56
00:03:38,009 --> 00:03:40,428
- YES, IT'S VERY NICE.
- [Athina] LOOK HOW CUTE THIS IS.

57
00:03:40,511 --> 00:03:42,180
- [Diana] YES.
- [Athina] LOOK HOW BEAUTIFUL THIS IS.

58
00:03:42,347 --> 00:03:44,974
HEY, AND THESE GUYS, WHAT'S UP?
ARE THEY NARCOS OR WHAT?

59
00:03:45,433 --> 00:03:47,435
[Athina] IS AN ITALIAN
WHO GREW UP HERE, IN GREECE,

60
00:03:47,518 --> 00:03:49,812
- A MURDERER.
- WHAT ARE WE DOING, MOM?

61
00:03:50,480 --> 00:03:51,648
- [in English] SMILE.
- [in Spanish] QUIET.

62
00:03:52,190 --> 00:03:53,483
- IRENE.
- I'M GOING TO PAY.

63
00:04:06,537 --> 00:04:08,081
- LET'S GO, LET'S GO.
- [Athina] COME ON, COME ON.

64
00:04:22,428 --> 00:04:23,763
- QUICK, COME ON.
- FASTER, COME ON.

65
00:04:37,610 --> 00:04:40,488
WHAT PART HAVE YOU NOT UNDERSTOOD?
APACHURRO?

66
00:04:44,701 --> 00:04:46,953
WHAT PART HAVE YOU NOT UNDERSTOOD?
FUCK!

67
00:04:48,329 --> 00:04:49,163
[gasps]

68
00:04:50,039 --> 00:04:52,417
IS THAT THE WAY IN WHICH
DO I HAVE TO PAY YOUR SUPPORT?

69
00:04:52,500 --> 00:04:54,252
TO ME, DON'T COME TO ME WITH BULLSHIT.

70
00:04:54,419 --> 00:04:56,587
YOU AND I ARE ALREADY
PRETTY BIG,

71
00:04:56,671 --> 00:04:59,340
YOU ALREADY HAVE HAIR WHERE YOU DIDN'T HAVE.

72
00:04:59,549 --> 00:05:00,758
HOW DISGUSTING ME!

73
00:05:04,095 --> 00:05:05,263
IT'S GOING TO BE REMOVED FROM YOU.

74
00:05:08,474 --> 00:05:09,851
DO YOU LIKE TO BE REJECTED?

75
00:05:14,564 --> 00:05:18,067
I LIKE TO KNOW
YOU HAVE TO SWALLOW ALL THIS!

76
00:05:19,110 --> 00:05:20,445
TO KEEP YOUR POSITION.

77
00:05:20,528 --> 00:05:23,031
I LIKE IT!
AND IT EXCITES ME TO KNOW

78
00:05:23,281 --> 00:05:25,158
WHAT ARE YOU
LIKE ALL THE OLD PINCHES,

79
00:05:25,283 --> 00:05:28,578
SOME GOLFITAS WITH A MUSTIA FACE,
JUST LIKE YOU.

80
00:05:28,786 --> 00:05:29,620
[gasp]

81
00:05:40,423 --> 00:05:42,008
ARE YOU GETTING EXCITED ALREADY?

82
00:05:43,051 --> 00:05:44,552
EH, APACHURRO?

83
00:05:47,930 --> 00:05:50,641
ARE YOU GETTING EXCITED ALREADY, HUH?

84
00:05:51,350 --> 00:05:52,351
HEY?

85
00:05:55,563 --> 00:05:56,898
CHILDREN OF YOUR FUCKING MOTHER!

86
00:05:57,482 --> 00:05:58,775
YOU SAID HERE IT WAS,
ASSHOLE.

87
00:05:59,192 --> 00:06:01,527
- YES IT WAS, GUY.
- [Ismael] HOW WAS YOU, GUY?

88
00:06:02,487 --> 00:06:05,031
- I THINK HE WENT THAT WAY.
- WELL, LET'S WALK TROUT.

89
00:06:06,616 --> 00:06:07,575
[Ismael] TROUT, PEPILLOS.

90
00:06:10,495 --> 00:06:12,872
I DON'T THINK MY HUSBAND
YOU ARE GOING TO LIKE IT A LOT

91
00:06:12,955 --> 00:06:14,248
IF YOU FIND OUT THAT WE ARE HERE, THEN...

92
00:06:14,749 --> 00:06:15,958
WELL, YOU KNOW.

93
00:06:17,085 --> 00:06:19,212
[Valdivia] FOR YOUR INFORMATION,
YOUR HUSBAND IS VERY,

94
00:06:19,670 --> 00:06:21,172
VERY ENTERTAINING WITH MY LADY.

95
00:06:22,256 --> 00:06:24,425
AH, HOW INTERESTING.
I IMAGINE THAT...

96
00:06:24,717 --> 00:06:26,552
...YOU HAVE
MANY INTERESTING THINGS,

97
00:06:26,636 --> 00:06:29,305
- RIGHT, MR. VALDIVIA?
- [laughs]

98
00:06:30,014 --> 00:06:32,725
I CAN SHOW YOU
MY ENTIRE ART COLLECTION.

99
00:06:33,101 --> 00:06:34,352
AHA?

100
00:06:34,435 --> 00:06:36,104
- [laughs]
- YOU ARE CANNON.

101
00:06:39,398 --> 00:06:41,859
LIKE THEY TOOK LONG ALREADY
THESE TWO, RIGHT?

102
00:06:41,943 --> 00:06:44,320
NO, NO, NO. WAIT A SECOND.
YOU KNOW WHAT I THINK IS HAPPENING?

103
00:06:44,403 --> 00:06:45,780
- THAT?
- [Star] I THINK...

104
00:06:46,114 --> 00:06:48,449
...HE IS TAKING A TOUR
AROUND THE HOUSE,

105
00:06:49,075 --> 00:06:50,451
AND THE SAFEST
THEY WERE LOST.

106
00:06:50,535 --> 00:06:52,829
AND YOU AND I COULD RUN
WITH THE SAME LUCK.

107
00:06:53,996 --> 00:06:56,207
- OF LOSING US... IN THE HOUSE?
- [Star] AHA, AHA.

108
00:06:57,583 --> 00:07:00,461
EH... I BELIEVE
I BETTER GO TO THE BATHROOM BECAUSE...

109
00:07:01,796 --> 00:07:04,382
...YOUR TOES ARE GOING TO GET TIRED.
NOW I COME,

110
00:07:05,091 --> 00:07:06,801
I GO TO THE BATHROOM AND COME BACK.

111
00:07:10,304 --> 00:07:12,098
WELL YES I WOULD LIKE IT A LOT, BUT...

112
00:07:12,974 --> 00:07:16,644
HOW ABOUT WE FIRST MAKE SURE
TO KEEP THIS A SECRET?

113
00:07:17,562 --> 00:07:18,563
LET NO ONE KNOW.

114
00:07:21,482 --> 00:07:24,235
- [laughs]
- I LIKE IT.

115
00:07:24,902 --> 00:07:25,903
I LIKE IT.

116
00:07:26,737 --> 00:07:28,656
I AM A GRAVE, MAMACITA.

117
00:07:29,991 --> 00:07:32,827
NOW IF YOU ALLOW ME
WHAT DID I COME FOR?

118
00:07:34,454 --> 00:07:35,788
AH! AHA.

119
00:07:57,059 --> 00:07:59,395
WELL THIS WAS
IT'S BEEN A LONG TIME AGO, LOYAL.

120
00:08:00,146 --> 00:08:01,731
LIFE GOES ON, PLEASE!

121
00:08:02,815 --> 00:08:05,193
[Beloved] NO, NO, NO.
I SEE THAT YOU ARE A MAN

122
00:08:05,735 --> 00:08:07,278
...POWERFUL, HUH?

123
00:08:07,528 --> 00:08:09,822
BUT I DON'T KNOW WHY THE FUCK
YOU WANT TO MESS WITH FENTANYL, YOU BITCH.

124
00:08:10,740 --> 00:08:13,034
THE FUTURE.
THERE'S A LOT OF MONEY TO EARN, HEY!

125
00:08:13,534 --> 00:08:15,453
DO YOU KNOW HOW MANY DEATHS THERE WERE?
IN THE UNITED STATES?

126
00:08:16,454 --> 00:08:17,455
TWENTY THOUSAND.

127
00:08:18,206 --> 00:08:20,166
I HAVE NOT KILLED THEM,
THEY DIE ALONE.

128
00:08:20,249 --> 00:08:22,668
NO, NO, NO.
IT WAS ON FENTANYL.

129
00:08:23,586 --> 00:08:27,048
BELOVED, THERE IS A LOT OF MONEY TO EARN.
I THOUGHT YOU WERE MORE INTELLIGENT.

130
00:08:27,131 --> 00:08:29,467
NO, NO, NO. I AM HAPPY
WITH MY BUSINESS, BITCH.

131
00:08:30,092 --> 00:08:31,969
AND IF YOU WANT TO PARTICIPATE, WELCOME.

132
00:08:32,553 --> 00:08:35,306
-THUS WE FLOOD ALL OF EUROPE WITH MARKET.
- NO, NOW... IT'S ALREADY LATE.

133
00:08:35,848 --> 00:08:38,643
IT'S LATE, EH? SOMEONE HAS
THAN DO IT, I'D RATHER DO IT MYSELF.

134
00:08:39,310 --> 00:08:41,604
OKAY.
WELL, I DON'T GET IT, HUH?

135
00:08:42,104 --> 00:08:44,190
- LET'S GO, NIKOS.
- [Nikos] PLEASE, BELOVED.

136
00:08:44,273 --> 00:08:45,775
- THINK ABOUT IT.
- EH, EH?

137
00:08:48,277 --> 00:08:50,321
ARE YOU IN THIS, YOU BITCH, OH?

138
00:08:50,404 --> 00:08:51,906
[Beloved] WERE YOU TRYING
TO CONVINCE ME?

139
00:08:52,573 --> 00:08:54,951
SO THAT?
TO PAY OFF YOUR DEBT.

140
00:08:56,118 --> 00:08:57,536
I WILL PAY YOUR DEBT, YOU BITCH.

141
00:09:09,799 --> 00:09:10,841
LET'S GO, LET'S GO.

142
00:09:11,425 --> 00:09:12,301
[indistinct conversation]

143
00:09:16,889 --> 00:09:19,725
- COME ON, HONEY.
- [Diana] IRENE.

144
00:09:20,518 --> 00:09:23,771
[in Spanish] LET'S GO, LET'S GO FAST.
LET'S GO, LET'S GO.

145
00:09:24,689 --> 00:09:25,606
[Athina] GO THIS WAY.

146
00:09:27,525 --> 00:09:29,110
- OH, IRENE!
- IRENE!

147
00:09:29,777 --> 00:09:31,988
- [Diana] LET'S GO, LET'S GO.
-[groan]

148
00:09:32,071 --> 00:09:34,240
MOVE HERE.
DON'T MOVE.

149
00:09:36,867 --> 00:09:38,411
- [beats]
- [groans]

150
00:09:40,037 --> 00:09:41,414
- [scream]
- LET GO.

151
00:09:42,665 --> 00:09:43,916
AH! ARE YOU NOT GOING TO LET HER LET GO?

152
00:09:44,500 --> 00:09:45,501
[groan]

153
00:09:49,505 --> 00:09:50,506
ATHINA,

154
00:09:52,091 --> 00:09:52,925
LET'S GET OUT OF HERE.

155
00:09:53,676 --> 00:09:54,635
- YEAH.
- IRENE.

156
00:09:54,719 --> 00:09:56,095
- [Athina] IRENE.
- [Diana] LET'S GO.

157
00:09:59,056 --> 00:10:03,227
- SO YOU HAVE BOTERO, PICASSO. GOOD.
- BOTERO, PICASSO, YES.

158
00:10:03,811 --> 00:10:05,980
AH, LOOK, YOU
WHAT I FOUND!

159
00:10:06,063 --> 00:10:08,107
THIS... LOOKS LIKE A JACANAMIJOY,

160
00:10:08,190 --> 00:10:11,152
ESPECIALLY BECAUSE OF THE THEME
OF NATURE, MOVEMENT,

161
00:10:11,569 --> 00:10:12,695
THE COLORS.
DO YOU LIKE THIS?

162
00:10:13,404 --> 00:10:15,072
- WHAT IF I LIKE IT?
- YEAH. IT'S THAT...

163
00:10:15,156 --> 00:10:16,907
- I LIKE MY ART A LOT.
- IT HAS LIFE.

164
00:10:18,492 --> 00:10:21,454
- AND THIS...
- AND WHAT I LIKE MOST ARE NUDES.

165
00:10:21,787 --> 00:10:23,372
- AND ME TOO!
- YEAH?

166
00:10:23,664 --> 00:10:25,666
- [Evelina] MY LOVE...
- [Star] OH, BABY!

167
00:10:26,000 --> 00:10:27,251
- HELLO, MY LOVE.
- [Star] BABE,

168
00:10:27,335 --> 00:10:28,461
I KNEW I WAS GOING TO FIND YOU HERE.

169
00:10:29,462 --> 00:10:32,340
- WHY DID YOU KNOW? ARE YOU A WITCH?
- BECAUSE... NO, LOOK.

170
00:10:32,632 --> 00:10:34,133
BECAUSE MY PASSION IS ART.

171
00:10:34,216 --> 00:10:36,218
AND ALSO, YOUR HUSBAND
IT HAS A COLLECTION THAT...

172
00:10:36,385 --> 00:10:37,386
- AH!
- REALLY.

173
00:10:37,470 --> 00:10:38,888
YES, HUGE, RIGHT?
And...

174
00:10:38,971 --> 00:10:41,515
- SHE ALSO KNOWS A LOT, HIS WIFE.
- KNOW, KNOW MY WIFE.

175
00:10:41,724 --> 00:10:44,727
THERE WE WERE TALKING ABOUT THE POSSIBILITY
TO GIVE ME ADVICE

176
00:10:44,810 --> 00:10:46,062
- TO ENLARGE MY...
- VERY GOOD.

177
00:10:46,228 --> 00:10:48,105
- MY COLLECTION.
- FURTHER?

178
00:10:48,189 --> 00:10:50,733
WELL, ONE QUESTION.
IS THIS OVER HERE?

179
00:10:50,816 --> 00:10:52,485
- IS THE PARTY OVER?
- NO NOT AT ALL.

180
00:10:52,568 --> 00:10:54,570
- [all] EVER.
- YOU ARE HERE...

181
00:10:54,654 --> 00:10:57,531
NO, NO, NO.
LET'S GO UNTIL THE LIVER CAN HOLD.

182
00:10:57,615 --> 00:10:59,867
- WELL, LIKE THIS.
- I, AT LEAST, AM A LONG SHOT.

183
00:10:59,950 --> 00:11:01,994
- [laughs]
- VERY LONG, MY LOVE.

184
00:11:02,203 --> 00:11:03,204
LET'S GIVE IT...

185
00:11:03,329 --> 00:11:05,915
I WANTED TO GIVE HIM A GIFT
VERY SPECIAL WELCOME...

186
00:11:06,040 --> 00:11:07,249
- SERIOUSLY?
- ...TO THE DOCTOR.

187
00:11:07,333 --> 00:11:08,292
- NO!
- LOOK.

188
00:11:08,376 --> 00:11:09,418
- OH, MY LOVE.
- NO!

189
00:11:09,543 --> 00:11:11,504
- THIS.
- NO!

190
00:11:11,587 --> 00:11:14,882
YES, LORD, FOR YOU,
OF AN EXTINCT MEXICAN ABORIGEN.

191
00:11:15,466 --> 00:11:16,884
YES SIR. ENJOY IT.

192
00:11:18,636 --> 00:11:20,721
THEY APPEAR OUT OF NOWHERE
SAYING THAT JAVIER IS THE DAD.

193
00:11:20,805 --> 00:11:22,765
AND DO I HAVE TO TRUST
JUST AS IF NOTHING?

194
00:11:23,307 --> 00:11:26,477
NO, I HAVE EVERY RIGHT TO KNOW
IF WHAT THEY ARE SAYING IS TRUE.

195
00:11:27,269 --> 00:11:28,270
NO, POS IS LOGICAL.

196
00:11:29,230 --> 00:11:30,648
- COUSIN.
- OH, DON'T TELL ME ANYTHING!

197
00:11:30,981 --> 00:11:34,068
DON'T TELL ME ANYTHING THAT YOUR WIFE TREATED ME
AS IF I WERE ANYONE.

198
00:11:35,027 --> 00:11:37,822
WHAT YOU ARE ASKING FOR,
IT'S ALSO FAIR, RIGHT?

199
00:11:38,572 --> 00:11:40,658
ALSO,
IT IS WHAT IS BEST FOR ALL OF US.

200
00:11:41,242 --> 00:11:42,493
[sobs]

201
00:11:47,540 --> 00:11:48,541
YES.

202
00:11:50,709 --> 00:11:52,628
IT IS WITHIN YOUR RIGHT
TO ASK FOR THAT PROOF.

203
00:12:00,553 --> 00:12:01,762
BUT THE GIRL IS HIS.

204
00:12:06,016 --> 00:12:07,143
SHOULD I CONFESS SOMETHING TO YOU?

205
00:12:09,186 --> 00:12:10,563
THAT'S WHAT I WISH IT WAS.

206
00:12:11,564 --> 00:12:13,983
[sobs]

207
00:12:28,706 --> 00:12:30,833
- [Olivia] NO MORE.
- [gasps]

208
00:12:32,585 --> 00:12:34,128
- WHAT? ALREADY?
- ALREADY.

209
00:12:34,211 --> 00:12:37,256
WELL, WARN YOUR BODY BECAUSE
HE IS TELLING ME THE OPPOSITE.

210
00:12:38,966 --> 00:12:40,342
- NOW, PLEASE.
- HEY, APACHURRO,

211
00:12:41,010 --> 00:12:42,553
WHAT DO YOU THINK
IF YOU START MOANING?

212
00:12:42,970 --> 00:12:46,223
SO THAT ALL YOUR NEIGHBORS
THEY SEE US, THEY HEAR US,

213
00:12:46,682 --> 00:12:49,143
TO GET EXCITED
JUST LIKE US.

214
00:12:49,727 --> 00:12:51,395
- HUH?
- ALREADY.

215
00:12:52,062 --> 00:12:53,689
- PLEASE.
- THAT!

216
00:12:54,106 --> 00:12:57,610
THAT ALSO EXCITES ME,
PLEASE ASK ME FOR THINGS.

217
00:12:57,943 --> 00:13:00,779
- COME ON, ASK ME FOR IT!
- PLEASE.

218
00:13:01,238 --> 00:13:02,490
- ASK ME.
- PLEASE.

219
00:13:04,450 --> 00:13:06,035
[gasps]

220
00:13:21,091 --> 00:13:22,927
[man]<i>DO YOU WANT TO WALK</i>
<i>A TREASONOUS WHORE?</i>

221
00:13:25,596 --> 00:13:26,555
YES.

222
00:13:29,225 --> 00:13:32,186
NOW YOU'RE GOING TO FUCK... A FUCK.

223
00:13:36,941 --> 00:13:38,651
WHAT THE FUCK ARE YOU DOING, MORRA?
DON'T MAME!

224
00:13:39,985 --> 00:13:41,070
I WANT TO KILL HIM, ISMAEL.

225
00:13:41,737 --> 00:13:43,781
WHAT DID THE BELOVED NOT TELL YOU?
THAT YOU WERE QUIET, OR WHAT?

226
00:13:44,156 --> 00:13:45,074
HE'S RAPING HER!

227
00:13:48,285 --> 00:13:49,870
[Ismael] OVER HERE, FUCKING MOTHER!

228
00:13:50,579 --> 00:13:52,206
WELL, I DON'T SEE HER VERY REJEGA
WHAT WE SAY.

229
00:13:52,957 --> 00:13:54,667
[Ismael] AND ALSO, VERY HIS FART,
NOT OURS, RIGHT?

230
00:13:55,543 --> 00:13:58,003
WE ARE NOT GOING TO MEET
IN THOSE FIGHTS RIGHT NOW, MY QUEEN.

231
00:13:58,087 --> 00:13:58,921
WE HAVE PLANS.

232
00:13:59,380 --> 00:14:01,048
- WHY DON'T THEY LEAVE ME ALONE?
- BECAUSE?

233
00:14:01,840 --> 00:14:03,425
BECAUSE YOU WENT
MY BOSS'S LAST OLD WOMAN

234
00:14:04,552 --> 00:14:07,304
AND I HAVE GIVEN ALMOST, ALMOST EVEN YOUR LIFE
FOR MY FAMILY, DO YOU UNDERSTAND ME?

235
00:14:08,055 --> 00:14:09,390
[Ishmael] AND THIS
I THANK YOU A LOT.

236
00:14:11,058 --> 00:14:13,394
[sobs]

237
00:14:18,524 --> 00:14:20,192
[exhalation]

238
00:14:24,572 --> 00:14:25,614
DID YOU LIKE IT?

239
00:14:26,615 --> 00:14:28,867
ARE YOU ASKING ME IF I LIKED IT?
THAT YOU RAPED ME?

240
00:14:29,285 --> 00:14:30,244
AS?

241
00:14:38,752 --> 00:14:39,920
[Ojeda] DID YOU NOT LIKE IT?

242
00:14:44,049 --> 00:14:46,886
WELL, YOU BETTER CATCH HIM
THE TASTE, APACHURRO,

243
00:14:47,219 --> 00:14:50,264
BECAUSE THIS IS GOING TO BE
OF FLOUR AND EGG.

244
00:14:51,140 --> 00:14:54,059
[Ojeda] THE DAY IS GOING TO COME
WHAT ARE YOU GOING TO IMPLORE ME?

245
00:14:54,602 --> 00:14:56,312
LET ME SPEND A NIGHT WITH YOU.

246
00:15:01,984 --> 00:15:02,943
LET'S GO.

247
00:15:04,695 --> 00:15:05,821
[Castillo]<i>HEY, WHAT ABOUT OJEDA?</i>

248
00:15:06,947 --> 00:15:08,741
HAS NOT APPEARED FOR A LONG TIME,
WHERE WILL HE WALK?

249
00:15:09,491 --> 00:15:10,868
[vibration]

250
00:15:12,411 --> 00:15:14,204
GIVE ME A SECOND,
WHICH IS SOMETHING PERSONAL.

251
00:15:17,291 --> 00:15:19,126
- HELLO HOW ARE YOU?
- BERNARDO,

252
00:15:19,543 --> 00:15:21,920
VENEZUELANS AND CUBANS
THEY ARE BEHIND THE CARAVAN

253
00:15:22,004 --> 00:15:23,297
AND THERE ARE SECOND INTENTIONS.

254
00:15:23,714 --> 00:15:25,591
I THINK YOUR GOVERNMENT
SHOULD NOT ALLOW THAT.

255
00:15:25,674 --> 00:15:28,385
WE CAN HAVE DIPLOMATIC PROBLEMS
VERY SERIOUS WITH THE GRINGOS.

256
00:15:28,844 --> 00:15:31,138
WELL, WE DON'T HAVE WHY
SOLVE THEIR PROBLEMS, RIGHT?

257
00:15:31,472 --> 00:15:34,266
NO, WELL. IF THAT IS YOUR POSITION
OR YOUR GOVERNMENT'S, IT IS VERY COMFORTABLE.

258
00:15:34,350 --> 00:15:37,645
"COMFORTABLE"? OUR SUPPORT EVER
IT HAS BEEN ENOUGH AND IT WILL NEVER BE ENOUGH.

259
00:15:38,187 --> 00:15:41,857
I WANT TO PUT MY FINGER ON THE WOUND
OF THE CUBAN PINCHES, IS IT CLEAR?

260
00:15:42,775 --> 00:15:43,776
I'LL MARK YOU LATER.

261
00:15:48,781 --> 00:15:50,074
[whispering] HERE, HERE, HERE.

262
00:15:51,450 --> 00:15:53,661
PARK THIS MOTHER
AND SEE YOU ON THE FIFTH FLOOR.

263
00:15:54,662 --> 00:15:55,663
VAMPIRE.

264
00:15:57,206 --> 00:15:59,500
[Skinny] GET TO HIM FROM BEHIND.
HURRY UP.

265
00:16:00,125 --> 00:16:01,669
CAPS, COME.

266
00:16:11,387 --> 00:16:12,388
[cocked]

267
00:16:15,099 --> 00:16:17,059
- WHAT DO YOU WANT?
- YOUR COMPUTER.

268
00:16:17,142 --> 00:16:18,435
PUT DOWN THAT GUN, OKAY?

269
00:16:19,812 --> 00:16:22,272
YOU ARE THE VENEZUELAN
WHAT IS ORGANIZING THE CARAVAN, RIGHT?

270
00:16:22,356 --> 00:16:24,942
YEAH. AND THE ONE WHO IS GOING TO KILL YOU

271
00:16:25,025 --> 00:16:27,319
- IF YOU DON'T GIVE ME YOUR COMPUTER.
- I DON'T HAVE IT.

272
00:16:28,529 --> 00:16:30,114
IT'S AT THE RECEPTION
IN THE SAFE.

273
00:16:30,197 --> 00:16:31,407
- I DON'T BELIEVE YOU.
- [shot]

274
00:16:31,490 --> 00:16:33,283
- [scream]
- [groans]

275
00:16:48,716 --> 00:16:52,219
<i>♪ THE ONE WHO BROUGHT THE POSTERS ♪</i>

276
00:16:52,720 --> 00:16:55,764
<i>♪ WAS CALLED THE LORD OF HEAVENS ♪</i>

277
00:16:56,557 --> 00:16:59,852
<i>♪ WHO SOWED BEFORE LEAVING SEEDS ♪</i>

278
00:17:00,394 --> 00:17:04,106
<i>♪ THAT FLOWER, CALLED BOXES ♪</i>

279
00:17:04,189 --> 00:17:07,401
<i>♪ THE KILLING BY BURNING CLOTHES ♪</i>

280
00:17:08,110 --> 00:17:11,280
<i>♪ IT HAS ARRIVED TO EUROPE ♪</i>

281
00:17:12,072 --> 00:17:14,908
<i>♪ WITH WOMEN AND WOMEN MAN ♪</i>

282
00:17:15,784 --> 00:17:18,871
<i>♪ AND EVEN ONE OR OTHER GREEK ♪</i>

283
00:17:19,580 --> 00:17:22,791
<i>♪ THE BOXES ARE A MESS ♪</i>

284
00:17:23,542 --> 00:17:26,545
<i>♪ BUT THEY PUT UP A POSTER THAT ARRESTS THEM ♪</i>

285
00:17:27,421 --> 00:17:30,340
<i>♪ IT WAS AURELIO AND NOW HE IS LOVED ♪</i>

286
00:17:31,175 --> 00:17:35,220
<i>♪ THE HATED LORDS OF THE SKY ♪</i>

287
00:17:39,433 --> 00:17:43,479
- YOU SHOOTED ME, YOU BITCH!
- [Fidencio] YOU DID IT BY DISOBEYING.

288
00:17:43,979 --> 00:17:45,272
AND IT WAS JUST A RUSH.

289
00:17:46,356 --> 00:17:49,651
- THE NEXT ONE GOES TO THE FEMORAL.
- YOU ARE A SON OF A BITCH!

290
00:17:49,735 --> 00:17:50,986
- [shot]
- [scream]

291
00:17:57,910 --> 00:17:58,911
PIRO.

292
00:17:59,995 --> 00:18:02,372
HELP THE GIRL,
WE ARE NOT GOING TO DIE.

293
00:18:03,582 --> 00:18:04,583
I KNOW YOU.

294
00:18:06,126 --> 00:18:07,795
I SPOKE WITH YOU AT AURELIO'S HOUSE,
WHAT ARE YOU DOING HERE?

295
00:18:07,878 --> 00:18:09,588
[moans]
NO, PLEASE.

296
00:18:09,671 --> 00:18:11,423
[Skinny]
YOU HAVE A GOOD MEMORY, JEVITA.

297
00:18:11,965 --> 00:18:14,218
- LET'S GO.
- [Carla] NO, NO, NO. WHERE TO?

298
00:18:14,301 --> 00:18:16,470
- NO, NO, NO. MY SUITCASE.
- [Skinny] QUIET, MORRA.

299
00:18:16,929 --> 00:18:18,222
- WE ARE ONE OF THE GOOD ONE.
- I HAVE INFORMATION THERE. MY SUITCASE.

300
00:18:20,891 --> 00:18:22,893
YOU DON'T HAVE
NOTHING BETTER TO DO OR WHAT?

301
00:18:23,727 --> 00:18:26,230
NET THAT NO, JAVI, BUT, POS,
WE WERE JUST TALKING TO HIM.

302
00:18:26,313 --> 00:18:27,523
YES, I KNOW WHAT THEY WERE DOING.

303
00:18:28,190 --> 00:18:29,566
GO DO THE SAME,
BUT ON THE OTHER SIDE.

304
00:18:30,359 --> 00:18:31,819
- WOW, THEN.
- PERMISSION.

305
00:18:32,903 --> 00:18:33,904
HEAR IT, THEN.

306
00:18:36,657 --> 00:18:39,076
- ALL GOOD?
- [woman] YES.

307
00:18:39,159 --> 00:18:41,662
I JUST DON'T KNOW NOW
WHAT ARE WE ABOUT?

308
00:18:41,829 --> 00:18:43,705
SO I DON'T KNOW
IF IT'S BETTER THAT WE LEAVE.

309
00:18:43,789 --> 00:18:45,415
[Javier]
NO, MIJA, HOW DO YOU THINK OF IT.

310
00:18:46,083 --> 00:18:48,502
NO, WHAT HAPPENS IS THAT THAT EXAM
IT HAS TO BE DONE.

311
00:18:48,836 --> 00:18:51,255
WELL, ALSO UNDERSTAND.
IT IS THE BEST FOR EVERYONE.

312
00:18:51,797 --> 00:18:54,341
WELL, THIS IS HOW WE LEAVE THE DOUBTS
BOTH OF THEM, RIGHT?

313
00:18:54,716 --> 00:18:56,385
HEY, WHAT I'M SEEING
IT IS THAT HE IS INHERITING HIM

314
00:18:56,468 --> 00:18:58,470
CONQUISTADORA'S GENES
TO YOUR MOM, RIGHT?

315
00:18:59,012 --> 00:19:00,514
[Javier]
WHAT WERE YOU DOING WITH THAT PAIR, OH?

316
00:19:00,806 --> 00:19:02,015
- [laughs]
- DO NOT DO IT.

317
00:19:02,099 --> 00:19:04,518
WELL MY MOM ALSO TOLD ME
THAT YOU WERE TERRIBLE.

318
00:19:04,601 --> 00:19:07,437
- THEN, IT CAN BE FROM BOTH SIDES.
- DID YOUR MOM TELL YOU THAT?

319
00:19:08,272 --> 00:19:09,565
- [woman] YES.
- OW!

320
00:19:09,648 --> 00:19:10,649
[laughter]

321
00:19:14,611 --> 00:19:16,071
LOOK HOW YOUR EYES SHINE.

322
00:19:17,239 --> 00:19:19,741
- YOU WANT THAT LITTLE ANGEL FOR YOU, DON'T YOU?
- NO, CALM DOWN.

323
00:19:20,617 --> 00:19:22,369
I SAY, THAT COLOMBIAN ACCENT...

324
00:19:25,330 --> 00:19:27,082
WELL I'M NOT GOING TO DENY IT,
I DO LIKE IT.

325
00:19:27,374 --> 00:19:28,500
AH!

326
00:19:29,751 --> 00:19:32,629
WELL, I LIKE IT TOO
AND I'M GOING TO COMPETE IT WITH YOU.

327
00:19:35,382 --> 00:19:36,967
- GO, SO.
- DOES IT SOUND YOU?

328
00:19:37,217 --> 00:19:38,343
LET'S SEE WHO GETS THE CROWN FIRST.

329
00:19:40,345 --> 00:19:42,764
HEY, WHAT WILL THE CORONEL LEAVE YOU?

330
00:19:42,848 --> 00:19:44,516
BECAUSE, I SAY, AS FAR AS I KNOW,

331
00:19:45,267 --> 00:19:47,019
- I AM SINGLE.
- LOW BLOW, RIGHT?

332
00:19:47,102 --> 00:19:48,729
[laughs]

333
00:19:49,938 --> 00:19:51,148
EL VALDÉS, MY LOVE,

334
00:19:51,773 --> 00:19:53,692
HAS MORE THAN ONE SHAKES
THERE IN HAVANA.

335
00:19:54,401 --> 00:19:56,862
AND OF COURSE NOT,
IF YOU ARE FILLED WITH DOLLARS

336
00:19:56,945 --> 00:19:58,739
WITH THE FARC
AND WITH ALL BUSINESSES

337
00:19:58,822 --> 00:20:01,617
WHAT ARE YOU DOING WITH THE AMBASSADOR?
VENEZUELAN FROM HERE, LA EDITH.

338
00:20:02,367 --> 00:20:03,827
THOSE CUBAN PINCHES,

339
00:20:04,870 --> 00:20:06,496
EVERYONE UNIFORMED LIKE...

340
00:20:08,040 --> 00:20:10,208
...THEY ARE REVOLUTIONARY
AND THE CHINGADA, BUT,

341
00:20:11,501 --> 00:20:13,420
- THEY ARE ALL FULL OF WOOL, RIGHT?
- [exclamation]

342
00:20:14,087 --> 00:20:17,007
YOU CAN'T EVEN IMAGINE HOW MANY MILLIONS THEY HAVE
IN A TAX PARADISE.

343
00:20:17,549 --> 00:20:19,509
AND I KNOW THAT
BECAUSE MORE THAN ONE HAVE TOLD ME,

344
00:20:19,760 --> 00:20:21,345
THAT ARE AGAINST THEM, FROM THE G2.

345
00:20:22,888 --> 00:20:24,181
THEN THAT'S IT.

346
00:20:24,973 --> 00:20:26,558
WE ALREADY KNOW WHAT IT IS
WHAT TO DO THEN.

347
00:20:27,643 --> 00:20:30,354
COME ON,
WE FUCK HIS BARO

348
00:20:30,771 --> 00:20:32,189
AND THEN WE FUCK HIM.

349
00:20:33,523 --> 00:20:35,317
I WISH IT WAS THIS EASY.

350
00:20:36,109 --> 00:20:39,321
THESE DEVILS ARE MORE THAN 60 YEARS OLD THERE
GOVERNING THE ISLAND, CHEMA.

351
00:20:40,781 --> 00:20:42,950
SEE, I KNOW THAT YOU
CUBANS ARE AFRAID OF YOU.

352
00:20:43,367 --> 00:20:44,493
- NO.
- BUT TO THOSE BATTERNS

353
00:20:44,576 --> 00:20:45,911
THE BULLETS ALSO GET IN THEM.

354
00:20:46,787 --> 00:20:49,539
YOU JUST SAY WHEN YOU WANT
LET'S SEND THAT OLD MAN TO HELL

355
00:20:49,623 --> 00:20:51,375
WITH HIS COMMANDER
FUCK YOUR MOTHER.

356
00:20:54,378 --> 00:20:56,296
[Auelio]<i>YOU JUST TELL ME, MY QUEEN.</i>
<i>AND THOSE BATTERNS</i>

357
00:20:56,380 --> 00:20:58,215
<i>I SEND YOU</i>
<i>A FUCKING FIRE BOMB</i>

358
00:20:58,298 --> 00:21:00,050
AND I ENDED IT ALL.
IT'S WORTHY MOTHERS!

359
00:21:00,592 --> 00:21:02,219
[Aurelio] YOU ARE THE LADY
AND YOU ARE THE ONE IN CHARGE.

360
00:21:02,511 --> 00:21:05,055
YOU JUST ASK
FOR THAT BEAUTIFUL, BEAUTIFUL MOUTH.

361
00:21:05,138 --> 00:21:06,390
[Maldonado] OH, SO YUMMY.

362
00:21:07,599 --> 00:21:10,686
- DON'T BE EXAGGERATED. WHAT DO YOU SAY, OH?
- [Aurelio] IS MORE,

363
00:21:11,103 --> 00:21:12,938
AND TO ALL THAT FUCKING TOBI CLUB
AND DEL VALDÉS,

364
00:21:13,021 --> 00:21:15,274
I BREAK THEM TOO! FUCK!
I'M WORTH MOTHERS.

365
00:21:18,777 --> 00:21:21,738
[Aurelio] YOU ARE MY OLD WOMAN
AND NO ONE IS GOING TO DISTRESS YOU.

366
00:21:21,822 --> 00:21:23,824
I AM GOING TO PROTECT IT AND I AM GOING TO USE IT
EVERYTHING IN MY POWER

367
00:21:23,907 --> 00:21:26,284
FOR YOU TO BE HAPPY
AND BE WITH ME ALWAYS.

368
00:21:26,702 --> 00:21:28,912
HEY? BEAUTIFUL MOM.

369
00:21:43,176 --> 00:21:44,428
[exclamation]

370
00:21:44,970 --> 00:21:46,596
TAKE THAT OFF, OKAY?

371
00:21:47,639 --> 00:21:49,182
[tapping]

372
00:21:49,725 --> 00:21:51,727
DAMN! WHO WANTS TO FUCK
AT THIS TIME?

373
00:21:52,352 --> 00:21:53,687
LET'S SEE, WAIT FOR ME HERE.

374
00:21:59,860 --> 00:22:02,696
[Valdés] FIDENCIO, WHAT HAPPENED?
COME, COME. COME IN, COME IN.

375
00:22:02,779 --> 00:22:04,740
- [groans]
- WHAT HAPPENED?

376
00:22:05,490 --> 00:22:08,452
- COMMANDER, THEY GOT ME.
- GO AWAY. PICK UP YOUR THINGS AND GO.

377
00:22:09,286 --> 00:22:10,746
DAMN, LET YOU GO, QUICKLY!

378
00:22:11,038 --> 00:22:11,872
LIE DOWN.

379
00:22:14,374 --> 00:22:16,752
PUT PRESSURE ON IT.
PUT PRESSURE ON IT. DALE.

380
00:22:17,336 --> 00:22:19,504
MY COMMANDER,
I ALREADY HAD THE JOURNALIST,

381
00:22:20,339 --> 00:22:22,174
SOME GUYS ARRIVED
AND THEY TOOK HER AWAY.

382
00:22:23,300 --> 00:22:24,342
VALDES SPEAKS.

383
00:22:24,676 --> 00:22:28,346
SEND ME SOMEONE IMMEDIATELY
SO HE SHOULD ATTEND FIDENCIO WITH A SHOT.

384
00:22:28,680 --> 00:22:29,639
FAST!

385
00:22:30,766 --> 00:22:32,017
[Ismael] QUIET, QUIET.
SIT DOWN.

386
00:22:32,267 --> 00:22:33,393
BRING A TEQUILA, GUY.
ÓRALE.

387
00:22:34,728 --> 00:22:35,729
[Ismael] RUTI.

388
00:22:36,938 --> 00:22:38,023
WHAT HAPPENED?

389
00:22:41,568 --> 00:22:42,611
[Rutila] CORINA, QUIET.

390
00:22:42,778 --> 00:22:44,905
QUIET, DON'T WORRY,
YOU ARE HERE WITH US.

391
00:22:49,534 --> 00:22:51,411
[Aurelio]<i>WITH ALL THE OLD WOMEN</i>
<i>I HAVE BEEN IN BED</i>

392
00:22:51,870 --> 00:22:53,080
AND THAT I HAVE HAD RELATIONSHIPS,

393
00:22:55,248 --> 00:22:56,833
NO ONE LIKE YOU, MY LOVE.

394
00:22:58,752 --> 00:22:59,878
YOU THROW LEAD.

395
00:23:02,339 --> 00:23:05,550
YOU HAVE SUFFERED AND LIVED A LOT OF THINGS
SIMILAR TO ME TOO, MY LOVE.

396
00:23:05,967 --> 00:23:07,344
THAT'S WHY YOU UNDERSTAND ME.

397
00:23:08,345 --> 00:23:09,346
AND I UNDERSTAND YOU.

398
00:23:11,181 --> 00:23:12,140
APART,

399
00:23:12,599 --> 00:23:14,976
YOU HAVE A VERY NICE PROFILE.
[laughter]

400
00:23:15,602 --> 00:23:18,146
MY LIFE,
THE DAY THAT I MISS IT,

401
00:23:20,982 --> 00:23:22,067
WOULD YOU TAKE CARE OF MY FAMILY?

402
00:23:23,568 --> 00:23:24,945
AND WHAT IS ALL THIS FOR?

403
00:23:28,365 --> 00:23:30,575
WELL, THEN...
ONE NEVER KNOWS

404
00:23:30,659 --> 00:23:32,452
WITH ALL THOSE PEOPLE
THAT WALKS BEHIND ME.

405
00:23:33,245 --> 00:23:34,412
DON'T WORRY, AURELIO.

406
00:23:35,038 --> 00:23:37,124
IF WE COULD ONCE
AGAINST THE COLOMBIANS,

407
00:23:37,207 --> 00:23:39,835
WE WILL BE POWER AGAINST THE CAPE,
WE WILL BE POWER AGAINST EVERYONE.

408
00:23:40,502 --> 00:23:42,003
THE THING IS THAT WE ARE TOGETHER.

409
00:23:44,714 --> 00:23:46,800
YES MY LOVE.
BUT, DO YOU PROMISE ME?

410
00:23:48,260 --> 00:23:50,011
THAT YOU WILL ALWAYS BE HERE
NEXT TO MY FAMILY.

411
00:23:51,346 --> 00:23:52,514
I PROMISE YOU, AURELIO.

412
00:23:55,308 --> 00:23:57,018
- [Corina]<i>I'M GOING TO GIVE MY LIFE FOR THEM.</i>
- [Aurelio]<i>TAKE CARE OF THEM.</i>

413
00:23:59,479 --> 00:24:00,981
- [Rutila] YOU HAVE TO CALL BELOVED.
- SIMON.

414
00:24:04,860 --> 00:24:06,528
[sound when dialing]

415
00:24:08,738 --> 00:24:10,115
WHAT HAPPENED, ISMA?

416
00:24:10,866 --> 00:24:11,950
WE ARE HERE, BATO.
YOU, WHAT THE FART?

417
00:24:12,409 --> 00:24:13,827
THINGS ARE NOT AS I THOUGHT.

418
00:24:14,286 --> 00:24:15,579
WE ARE GOING TO HAVE TO SEARCH
ON THE OTHER HAND.

419
00:24:16,580 --> 00:24:17,622
HOW IS EVERYTHING GOING THERE?

420
00:24:18,290 --> 00:24:20,709
POS HERE WE HAVE LA CORINA, BATO,
BUT LIKE...

421
00:24:21,543 --> 00:24:23,670
<i>LIKE THE MORRA WAS PIRATE,</i>
<i>LIKE THEIR GOATS GONE, GUY.</i>

422
00:24:23,795 --> 00:24:25,422
IT'S TOO MUCH PRESSURE,
UNDERSTAND IT.

423
00:24:27,090 --> 00:24:29,968
- [Beloved] WE'LL TALK THEN, OKAY?
- ARRE.

424
00:24:35,015 --> 00:24:36,808
YOU'RE GOING TO HAVE TO HELP ME
TO REMEMBER, NIKOS.

425
00:24:37,976 --> 00:24:38,935
I DON'T UNDERSTAND YOU.

426
00:24:39,895 --> 00:24:43,023
DO YOU REMEMBER THAT OPERATION
WHAT DID I END BY BEATING WITH VOLPI?

427
00:24:43,523 --> 00:24:46,735
- YOU MADE THE YACHT EXPLODE, RIGHT?
- COME ON, BELOVED! PLEASE.

428
00:24:47,652 --> 00:24:48,945
LEAVE THAT IN THE PAST.

429
00:24:51,114 --> 00:24:52,240
DON'T BE AN ASSHOLE, YOU BITCH.

430
00:24:52,741 --> 00:24:53,825
TELL ME THE TRUTH.

431
00:24:57,871 --> 00:24:59,998
YES, IT WAS ME.

432
00:25:01,625 --> 00:25:02,584
[groan]

433
00:25:04,586 --> 00:25:05,545
[Beloved] YOU ARE GOING TO TELL ME EVERYTHING.

434
00:25:09,925 --> 00:25:13,261
I SWEAR TO YOU. I DIDN'T KNOW
THEY WERE GOING TO TAKE HER.

435
00:25:13,929 --> 00:25:15,430
DID YOU DO IT
FOR Smuggling?

436
00:25:16,223 --> 00:25:17,224
NO, WHY?

437
00:25:17,641 --> 00:25:19,100
[in English] WHAT WOULD I HAVE WON
IF IT SINKED?

438
00:25:19,935 --> 00:25:21,519
[Nikos in Spanish]
NOTHING NEVER APPEARED.

439
00:25:23,438 --> 00:25:24,814
[Beloved] STOP. STOP!

440
00:25:27,150 --> 00:25:28,443
THEN WE CONTINUE TALKING ABOUT THIS,
BITCH.

441
00:25:28,526 --> 00:25:30,445
[in Greek] TELL YOUR FRIEND
DON'T SEND US TO FOLLOW.

442
00:25:30,779 --> 00:25:32,113
FUCK YOU BITCH!

443
00:25:36,660 --> 00:25:37,661
[in Spanish]
LET'S SEE, MY LOVE.

444
00:25:39,204 --> 00:25:41,331
CAN YOU TELL ME WHY
I HAD TO POINT A GUN AT HIM

445
00:25:41,414 --> 00:25:42,916
TO A THUG WITH A GREEK FACE?

446
00:25:49,881 --> 00:25:51,716
DO YOU REMEMBER THE FIRST TIME
WHAT ARE YOU AND I TALKING?

447
00:25:53,843 --> 00:25:54,844
YEAH.

448
00:25:55,345 --> 00:25:57,013
YOU WERE NOT VERY KIND
WHAT WE SAY.

449
00:25:58,515 --> 00:26:00,475
WELL NO. I DID NOT WANT TO ACCEPT
THAT YOU WERE RIGHT.

450
00:26:00,850 --> 00:26:02,310
CHEMA HAD MARKED ME.

451
00:26:04,437 --> 00:26:05,730
WELL, I DON'T KNOW WHAT, RUTILA.

452
00:26:07,440 --> 00:26:10,735
YOU REMADE YOUR LIFE, YOU CAME AHEAD,
YOU ARE WITH JAVIER.

453
00:26:11,236 --> 00:26:13,321
AND WHAT ABOUT YOU, CORINA?
YOU TOO.

454
00:26:14,572 --> 00:26:16,616
[Rutila] LOOK AT YOU, WITH ALL OF US
IN THE MIDDLE OF ALL THIS,

455
00:26:16,700 --> 00:26:18,285
TAKING BULLET WITH THE SAME CHEMA.

456
00:26:18,451 --> 00:26:20,245
THAT IS PRECISELY
WHAT I DON'T WANT.

457
00:26:20,745 --> 00:26:22,205
I DON'T EVEN WANT CHEMA VENEGAS

458
00:26:22,455 --> 00:26:24,666
NOT EVEN THE SON OF A BITCH
OF BALTAZAR OJEDA IN MY LIFE.

459
00:26:24,916 --> 00:26:26,501
THAT'S WHAT HAPPENS, RUTILA.

460
00:26:27,168 --> 00:26:29,087
LOOK, I'M NOT THE BEST
TO GIVE ADVICE

461
00:26:29,212 --> 00:26:31,006
AND MUCH LESS
IN THESE SITUATIONS.

462
00:26:33,133 --> 00:26:35,302
BUT YOU CAN'T TAKE ANY MORE RISKS

463
00:26:35,635 --> 00:26:37,304
FOR THE HATE YOU HAVE INSIDE,
CORINA.

464
00:26:41,308 --> 00:26:42,892
IT'S THAT I HAD A REASON, RUTILA.

465
00:26:44,978 --> 00:26:46,104
YOUR DAD.

466
00:26:48,106 --> 00:26:50,025
[Corina] IN A WAY,
I FELT THAT...

467
00:26:52,235 --> 00:26:53,361
THAT WE FIT,

468
00:26:54,362 --> 00:26:55,905
WE WERE A TEAM, DAMN IT,

469
00:26:57,073 --> 00:26:58,325
WITH ALL OF YOU.

470
00:27:08,543 --> 00:27:09,669
YOU STILL HAVE IT.

471
00:27:10,837 --> 00:27:12,505
THAT PLACE
NO ONE IS GOING TO TAKE IT AWAY FROM YOU.

472
00:27:14,424 --> 00:27:16,718
BUT YOU CAN'T LEAVE

473
00:27:17,469 --> 00:27:19,471
MAY YOUR PAST FUCK YOUR FUTURE.

474
00:27:24,392 --> 00:27:25,352
[in Greek]
IT'S OVER, ANDREAS.

475
00:27:25,435 --> 00:27:27,103
FORGET ABOUT VOLPI
AND EVERYTHING THAT HAS TO DO WITH IT.

476
00:27:27,187 --> 00:27:28,730
VOLPI WILL NEVER BE QUIET.

477
00:27:28,938 --> 00:27:30,523
[Athina] LISTEN
WHAT THEY ARE TELLING YOU.

478
00:27:30,732 --> 00:27:31,775
IT'S WHAT YOU HAVE TO DO.

479
00:27:32,192 --> 00:27:33,860
YOU MARRY IRENE
AND YOU TAKE IT FROM HERE.

480
00:27:34,694 --> 00:27:36,404
I DON'T WANT TO KNOW ANYTHING MORE.

481
00:27:37,572 --> 00:27:38,490
HOW MUCH DO YOU OWE?

482
00:27:40,283 --> 00:27:41,493
TWO MILLION DOLLARS.

483
00:27:43,244 --> 00:27:44,162
[Irene] WHAT'S GOING ON?

484
00:27:46,956 --> 00:27:49,042
WE WERE TALKING
WITH ANDREAS.

485
00:27:49,501 --> 00:27:50,919
THEY GET MARRIED AND LEAVE AWAY FROM HERE.

486
00:27:51,878 --> 00:27:53,171
FOR THOSE GUYS
WHAT DID THEY CHASE US?

487
00:27:54,297 --> 00:27:56,257
EXPLAIN TO ME
I AM NOT UNDERSTANDING ANYTHING.

488
00:27:56,633 --> 00:27:58,009
WE ARE IN BANKRUPTCY, DAUGHTER.

489
00:28:01,930 --> 00:28:03,056
DID YOU KNOW?

490
00:28:04,391 --> 00:28:05,350
YEAH.

491
00:28:06,267 --> 00:28:07,685
IT'S ALL CRAP!

492
00:28:17,487 --> 00:28:18,738
[Beloved in Spanish]
WE WERE COMPANIONS IN THE CIA

493
00:28:19,697 --> 00:28:20,990
AND IT ALL ENDED WITH AN EXPLOSION.

494
00:28:23,243 --> 00:28:25,370
I CAME READY
TO LEAVE ALL THE PAST BEHIND

495
00:28:26,746 --> 00:28:28,039
IF YOU NEGOTIATED WITH HIM.

496
00:28:30,583 --> 00:28:32,919
BUT I DON'T UNDERSTAND
WHY ARE YOU AGAINST HIM.

497
00:28:34,879 --> 00:28:36,548
BECAUSE THAT BITCH
HE WANTS OTHER THINGS.

498
00:28:37,590 --> 00:28:39,926
HE WANTS TO PUT THE FENTANYL IN
TO MEXICO AND THE UNITED STATES

499
00:28:40,427 --> 00:28:41,636
AND I WILL NOT ALLOW THAT.

500
00:28:43,471 --> 00:28:45,390
HEY, AND HOW IS IT POSSIBLE THAT...

501
00:28:47,684 --> 00:28:49,352
...SOMEONE FROM THE CIA

502
00:28:49,436 --> 00:28:52,063
ALSO GET INTO OTHER THINGS
LIKE FENTANYL?

503
00:28:52,522 --> 00:28:55,150
WELL, AMBITION,
THE POWER, THE MONEY.

504
00:28:56,568 --> 00:28:57,610
THIS IS HOW THIS WORLD MOVES.

505
00:28:58,695 --> 00:28:59,654
COMPLICATED, RIGHT?

506
00:29:00,739 --> 00:29:03,700
BUT NOW,
LET'S NOT TALK ABOUT THAT ANYMORE, OKAY?

507
00:29:04,075 --> 00:29:05,201
WHAT DID YOU BUY?

508
00:29:06,953 --> 00:29:08,496
WELL, LOOK,
FIRST I'M GOING TO BATHE.

509
00:29:09,831 --> 00:29:11,583
I NEED TO CALM MYSELF A LITTLE.

510
00:29:13,251 --> 00:29:15,086
[Diana] AND IF YOU WANT TO KNOW
WHAT WAS WHAT I BOUGHT,

511
00:29:15,962 --> 00:29:17,547
THEN LOOK FOR ME,
I'LL TEACH YOU.

512
00:29:18,131 --> 00:29:19,132
[laughter]

513
00:29:24,804 --> 00:29:27,015
WELL, I THINK I ALREADY KNOW WHERE IT'S COMING
THE BELOVED, MY RED.

514
00:29:28,057 --> 00:29:30,185
WE HAVE TO ORGANIZE THIS WELL,
BATO.

515
00:29:31,811 --> 00:29:32,979
- HEY, ISMA.
- [Ismael] HUH?

516
00:29:33,521 --> 00:29:35,315
HAVE YOU ALREADY THOUGHT WHERE YOU ARE GOING TO BURY
TO YOUR BOSS, GUY?

517
00:29:37,108 --> 00:29:39,068
IT HAS TO BE A PLACE
VERY SPECIAL, MY RED.

518
00:29:39,360 --> 00:29:41,321
- VERY FUCKING SPECIAL, BITCH.
- [Red] SIMON.

519
00:29:42,739 --> 00:29:43,907
- HEY, GÜEY.
- HUH?

520
00:29:45,533 --> 00:29:46,618
AND IN GUAMUCHILITO?

521
00:29:47,243 --> 00:29:48,745
IN THE CANADA, GÜEY,
AS THE CORRIDORS SAY.

522
00:29:48,828 --> 00:29:49,954
WHAT WAS NOT YOUR FAVORITE PLACE?

523
00:29:51,247 --> 00:29:52,791
POS, EQUAL
IT'S NOT A BAD IDEA, BATO.

524
00:29:54,417 --> 00:29:57,295
LET THE EARTH ITSELF SWALLOW IT
THAT SAW HIM BORN

525
00:29:58,254 --> 00:30:00,215
AND THAT CONVERTED HIM
IN THE LEGEND THAT IS, WHAT IS NOT?

526
00:30:01,925 --> 00:30:02,884
SIMON.

527
00:30:03,426 --> 00:30:05,428
AND SO, BY THE STEP, THE STRIP
IF YOU WANT TO UNBURY IT,

528
00:30:06,095 --> 00:30:07,138
YOU'RE NOT GOING TO FIND IT, GUY.

529
00:30:09,015 --> 00:30:10,934
I STILL CAN'T BELIEVE
LET HE BE DEAD, BABY.

530
00:30:12,185 --> 00:30:14,145
BUT IN THE END,
LET'S GO ALL, COMPA.

531
00:30:14,896 --> 00:30:15,897
FUCK ONE, GUY.

532
00:30:17,649 --> 00:30:19,025
[in Greek]
EVERYTHING IS CRAP.

533
00:30:19,359 --> 00:30:21,903
[in Spanish] TWO MILLION DOLLARS
WE OWE VOLPI.

534
00:30:22,278 --> 00:30:24,531
NO, YOU DON'T OWE HIM.
YOU OWE NIKOS.

535
00:30:24,614 --> 00:30:26,741
AND I'M GOING TO PAY YOU
THOSE TWO MILLION DOLLARS.

536
00:30:27,033 --> 00:30:30,370
HOW ARE YOU GOING TO HELP ME?
WITH TWO MILLION DOLLARS, BELOVED?

537
00:30:30,912 --> 00:30:32,956
IT WAS MONEY THAT I HAD
TO DO BUSINESS WITH VOLPI,

538
00:30:33,706 --> 00:30:36,084
- BUT I'M NOT GOING TO DO IT ANYMORE.
- [in Greek] I STILL DON'T UNDERSTAND ANYTHING.

539
00:30:37,627 --> 00:30:38,670
[in Spanish]
HE PROPOSED ME A BUSINESS,

540
00:30:39,295 --> 00:30:41,256
BUT I'M NOT GOING TO RISK
TO MY FAMILY IN THAT.

541
00:30:43,550 --> 00:30:45,843
- IS IT THAT BAD?
- [Beloved] IT'S FENTANYL.

542
00:30:46,678 --> 00:30:48,596
HE WANTS ME TO PUT IT IN MEXICO
AND IN THE UNITED STATES.

543
00:30:49,222 --> 00:30:50,306
AND I WILL NOT ALLOW THAT.

544
00:30:52,559 --> 00:30:53,643
[Beloved]
I WAS THINKING ABOUT SOMETHING ELSE.

545
00:30:55,103 --> 00:30:57,188
DO YOU REMEMBER THE Smuggling
WHAT WAS BEHIND VOLPI?

546
00:30:58,690 --> 00:31:00,859
YEAH.
THAT DOES EXIST.

547
00:31:01,150 --> 00:31:02,860
BUT IT IS 40 METERS AWAY
DEEP, BELOVED,

548
00:31:03,444 --> 00:31:04,362
WHO KNOWS WHERE.

549
00:31:04,779 --> 00:31:07,240
I WAS ON THAT YACHT, THAT ONE,
THAT WAS WAITING FOR THE PEOPLE,

550
00:31:07,323 --> 00:31:08,533
- DO YOU REMEMBER?
- AHA.

551
00:31:08,616 --> 00:31:09,784
AND THEY ALSO SANK HIM.

552
00:31:10,493 --> 00:31:11,703
[Beloved] BUT YOU STILL DIVE.

553
00:31:13,454 --> 00:31:14,539
I HAVE A NOTION
WHERE IT CAN BE.

554
00:31:15,331 --> 00:31:16,833
HEY?
AND DO YOU KNOW WHAT'S THERE?

555
00:31:18,209 --> 00:31:20,211
TEN MILLION DOLLARS
IN DIAMONDS.

556
00:31:21,087 --> 00:31:24,173
I ENTER HIM. EARLY TOMORROW
LET'S GO TO THE PORT.

557
00:31:24,674 --> 00:31:25,884
BUT NOT A WORD TO ANYONE,

558
00:31:26,050 --> 00:31:27,302
- [in Greek] IS IT OKAY?
- [in Spanish] NONE.

559
00:31:33,683 --> 00:31:36,686
WELL YES,
THIS IS A CHIMBA, YES OR NO?

560
00:31:36,936 --> 00:31:39,480
- LET IT BE REPEATED!
- YEAH.

561
00:31:39,564 --> 00:31:41,608
- EVERYTHING DELICIOUS.
- DELICIOUS.

562
00:31:41,899 --> 00:31:44,193
- DIVINE.
- [laughs]

563
00:31:44,485 --> 00:31:46,029
- OW.
- OH, SORRY.

564
00:31:46,112 --> 00:31:48,197
- NO, SORRY.
- NO, THEY GIVE THEM A KISS.

565
00:31:48,364 --> 00:31:51,409
- BE CAREFUL, BE CAREFUL.
- [laughs]

566
00:31:51,784 --> 00:31:53,453
[in English]
IT IS A PLEASURE FOR ME.

567
00:31:53,911 --> 00:31:55,997
[in Spanish] PERMISSION.
COME ON, MY LIFE, COME ON.

568
00:31:56,080 --> 00:31:58,666
- GOODBYE, GOODBYE, GOODBYE.
- MY GOD!

569
00:32:02,837 --> 00:32:05,632
I NEED TO CLARIFY ONE THING,
LICE... I KNOW.

570
00:32:07,133 --> 00:32:08,134
PIO JOSÉ.

571
00:32:09,344 --> 00:32:10,637
LET'S SEE, WHEN YOU TELL ME
THE TWO NAMES,

572
00:32:10,720 --> 00:32:12,639
IT'S BECAUSE THE SCALING
IT'S ON THE WAY.

573
00:32:12,722 --> 00:32:13,765
LET IT GO, LET'S SEE.

574
00:32:14,807 --> 00:32:16,392
IS IT MY IMAGINATION OR...

575
00:32:17,727 --> 00:32:20,688
OR YOU WERE ENJOYING
WHEN THE BACHELOR CHUCKED ME?

576
00:32:21,773 --> 00:32:23,191
- HUH?
- THAT?

577
00:32:23,650 --> 00:32:26,694
- NO NO. I DIDN'T REALIZE, NO...
- AH!

578
00:32:36,371 --> 00:32:37,372
[in Greek] MY LOVE.

579
00:32:40,875 --> 00:32:42,126
HOW ARE YOU?

580
00:32:42,669 --> 00:32:44,337
HOW DO YOU THINK I CAN BE
WITH WHAT I JUST KNOW?

581
00:32:44,671 --> 00:32:45,713
EVERYTHING IS GOING TO BE WELL.

582
00:32:46,130 --> 00:32:47,799
- YOU DON'T HAVE TO WORRY.
- NO?

583
00:32:48,966 --> 00:32:50,343
ARE YOU GOING TO WORK TO SUPPORT ME?

584
00:32:50,677 --> 00:32:52,929
IN ORDER TO KEEP YOU HAPPY
LIKE A QUEEN,

585
00:32:53,596 --> 00:32:54,889
I AM CAPABLE OF ANYTHING.

586
00:32:58,059 --> 00:32:59,519
- [Irene] LET'S GO.
- ALRIGHT.

587
00:33:36,097 --> 00:33:37,432
HOW GREAT THAT YOU COULD COME.

588
00:33:38,850 --> 00:33:42,311
IT LOOKS LIKE TO ME
THAT THE BEST WOULD BE TO BURY HIM

589
00:33:42,395 --> 00:33:44,522
IN THE PANTHEON
WHERE I HAVE THE CHACORTA.

590
00:33:45,648 --> 00:33:47,567
WOULD LIKE TO BE NEXT
FROM HIS BROTHER.

591
00:33:48,901 --> 00:33:50,236
NOTE THAT IT WILL NOT BE POSSIBLE,
GRANDPA.

592
00:33:51,738 --> 00:33:53,114
WE ARE GOING TO BURY HIM
IN THE DESERT.

593
00:33:54,323 --> 00:33:56,284
AT THE RANCH WE EXPLAIN TO YOU,
GRANDMA. COME ON.

594
00:33:56,909 --> 00:33:58,286
- AS?
- COME ON, GRANDMA.

595
00:34:09,630 --> 00:34:11,466
OH MY LIFE, YOU KNOW WHAT?

596
00:34:11,674 --> 00:34:16,137
I HAVE A RAW OF THOSE,
AS WELL AS TYPE BRAND "NO MAMES".

597
00:34:17,472 --> 00:34:19,098
[Violet] MY HEAD, DAMN IT!

598
00:34:19,766 --> 00:34:21,309
BITCH...
LOVE!

599
00:34:21,434 --> 00:34:23,269
THANK GOD
YOU DON'T LIKE TO DRINK, RIGHT?

600
00:34:23,686 --> 00:34:24,687
- [Violet] WHAT?
- LOOK,

601
00:34:24,771 --> 00:34:26,522
I'M GOING TO ASK YOU A QUESTION,
SINCE YOU GOT OFF AND ARE HERE.

602
00:34:26,731 --> 00:34:27,565
[clearing throat]

603
00:34:28,691 --> 00:34:31,444
WHAT WAS IT HE TOLD YOU?
OR WHAT IT WAS WHAT HE DID TO YOU

604
00:34:31,527 --> 00:34:34,447
THE NACO THAT HAD YOU
ENTERTAINED FOR SO LONG?

605
00:34:34,989 --> 00:34:35,948
AH, WELL,

606
00:34:36,699 --> 00:34:40,286
HE CAUGHT ME IN THE BATHROOM, LIKE THIS,
WELL HE ALMOST RAPED ME.

607
00:34:40,369 --> 00:34:43,623
I MEAN, IT'S A NACO THAT YOU HAVE NO IDEA.
DISGUSTING!

608
00:34:44,040 --> 00:34:46,876
AND YOU DIDN'T SCREAM, YOU DIDN'T DO ANYTHING
OR THIS IS YOUR FANTASY,

609
00:34:46,959 --> 00:34:50,338
SLEEP WITH A NACO
DRUG TRAFFICKER, MY LIFE, AH?

610
00:34:50,463 --> 00:34:52,590
SHHH... NOW, NOW. WHY
DON'T YOU LOWER IT THAT MUCH?

611
00:34:52,673 --> 00:34:54,425
IF NOT, WHY DON'T YOU BETTER LEAVE,
YES PLEASE?

612
00:34:54,509 --> 00:34:57,136
ALRIGHT. NO, I'LL TAKE HIM DOWN.
BUT MAKE YOURSELF RESPECTED.

613
00:34:57,220 --> 00:34:58,846
NOW, NOW, JOACO
LET'S SEE, PLEASE, DON'T,

614
00:34:58,930 --> 00:35:00,890
THAT YOU WERE WELL SO HAPPY
WITH THAT STRIPPET.

615
00:35:00,973 --> 00:35:03,184
A MOMENT. IT'S COMPLETELY...
HAVE YOU SEEN YOURSELF IN A MIRROR?

616
00:35:03,267 --> 00:35:04,894
[Star] HAVE YOU SEEN
HOW MAMACITA ARE YOU?

617
00:35:04,977 --> 00:35:06,312
I DON'T LIKE THEM
WOMEN LIKE THIS.

618
00:35:06,395 --> 00:35:08,940
[Violet] YUCK! DID YOU KNOW?
DON'T TALK TO ME. NO, YOU'RE NOT EVEN GOING TO TOUCH ME, EH?

619
00:35:09,023 --> 00:35:10,566
- YUCK!
- [Star] YES.

620
00:35:10,691 --> 00:35:11,818
[cell phone ring]

621
00:35:11,901 --> 00:35:13,277
- YUCK! I mean, what a pleasure...
- OH, LOOK.

622
00:35:13,361 --> 00:35:14,612
LOOK,
TALKING ABOUT THE KING OF ROME.

623
00:35:14,904 --> 00:35:17,657
- YOUR BOYFRIEND LOVER.
- YES OF COURSE. BOYFRIEND.

624
00:35:18,783 --> 00:35:19,826
[Star]<i>TWEET, GOOD MORNING.</i>

625
00:35:20,368 --> 00:35:23,037
HOW DID IT DAWN,
STAR BACHELOR?

626
00:35:24,413 --> 00:35:27,542
- DID YOU HAVE A GOOD TIME LAST NIGHT?
- [Star] LET'S SEE, LET'S NOT PUT THE PILL DOWN.

627
00:35:27,625 --> 00:35:30,378
<i>AND WE ARE GOING TO TALK DIRECTLY</i>
<i>WHAT HAPPENED LAST NIGHT.</i>

628
00:35:30,461 --> 00:35:34,382
I JUST FOUND OUT FROM MY WIFE
THAT YOU, PRACTICALLY, ABUSED HER

629
00:35:34,465 --> 00:35:37,677
<i>AND I WANT TO TELL YOU WHAT I'M GOING TO PUT</i>
<i>A LEGAL ACTION FOR HARASSMENT,</i>

630
00:35:37,844 --> 00:35:41,139
- BECAUSE YOU RESPECT MY WIFE.
- AND YOU DON'T BE A GIRL.

631
00:35:42,974 --> 00:35:45,518
WHAT MY LADY TOLD ME
HOW HE HANDLED HER,

632
00:35:45,601 --> 00:35:48,020
HOW HE MORBS HER,
HE PUT HIS HAND IN THERE,

633
00:35:48,104 --> 00:35:50,606
<i>SO LET'S HOLD THE PARTY IN PEACE,</i>
<i>PELA'O.</i>

634
00:35:51,357 --> 00:35:53,276
ALTHOUGH IT IS ALSO FOR GENTLEMEN
SPEAK AND DIALOGUE

635
00:35:53,359 --> 00:35:55,486
AND, EVIDENTLY, I AM WITH YOU
I CAN TALK AND DIALOGUE.

636
00:35:56,696 --> 00:35:59,407
I WANT TO TELL YOU
I ALREADY HAVE THE INFORMATION OF THE HACKER.</i>

637
00:36:00,408 --> 00:36:03,661
THAT! THAT'S WHAT I LIKE IT, MIJO.
AND WHO IS IT?

638
00:36:03,744 --> 00:36:06,163
LOOK, THAT BOY
HIS NAME IS DYLAN GUTIÉRREZ.

639
00:36:06,622 --> 00:36:08,457
COME HERE AND HERE WE TALK,
OKAY?

640
00:36:11,711 --> 00:36:14,172
- HEY, HEY.
- THAT?

641
00:36:14,839 --> 00:36:18,426
- WHAT IF WE GET INTO THE BUSINESS?
- [Dylan] DON'T YOU MAME, YOU BITCH?

642
00:36:18,509 --> 00:36:19,552
I KNOW ABOUT THAT.

643
00:36:20,344 --> 00:36:22,013
NO WAY WE COMPETE
WITH THE CARTELS.

644
00:36:22,180 --> 00:36:23,514
OH, WOW!

645
00:36:24,056 --> 00:36:25,141
THAT? DON'T YOU BELIEVE ME?

646
00:36:26,976 --> 00:36:28,269
[Dylan] DO YOU KNOW WHERE I GOT
ALL MY BARO?

647
00:36:28,352 --> 00:36:29,187
WHERE FROM?

648
00:36:29,645 --> 00:36:31,355
WITH A SNAP,
FUCKING.

649
00:36:31,439 --> 00:36:32,899
[Dylan] NO, MY KING, NO.

650
00:36:33,608 --> 00:36:36,527
I WAS THE ONE WHO DELIVERED THE CASILLAS FAMILY
TO THE DEA, BITCH.

651
00:36:37,236 --> 00:36:38,905
- DON'T SUCK, DON'T SUCK.
- [Dylan] WHAT THE FART?

652
00:36:39,822 --> 00:36:42,283
HOW DOES IT OCCUR TO YOU?
SCREAM THAT, YOU BITCH?

653
00:36:42,366 --> 00:36:43,826
YES, BITCH. IT WAS ME.

654
00:36:44,160 --> 00:36:46,245
TO THE HEAD
THEY DELIVERED IT FOR ME, BITCH.

655
00:36:46,329 --> 00:36:48,205
- [whisper]
- BY ME, BITCH!

656
00:36:48,581 --> 00:36:50,166
EGG, FOR ME!

657
00:36:56,047 --> 00:36:57,048
[metallic click]

658
00:37:10,311 --> 00:37:13,105
THEY ARE SENDING ME INFORMATION
FROM THE STATE DEPARTMENT.

659
00:37:14,857 --> 00:37:16,317
THEY HAVE SERIOUS SUSPECTS

660
00:37:16,400 --> 00:37:19,028
WHAT THERE MAY BE TERRORISTS
IN THOSE CARAVANS.

661
00:37:21,197 --> 00:37:23,157
WELL, WE STAND ON ONE SIDE
OR THE OTHER.

662
00:37:23,282 --> 00:37:24,909
BUT WE ARE NOT GOING TO ALLOW
FUCK US.

663
00:37:26,744 --> 00:37:29,872
EXCUSE ME SIR, IT'S PEOPLE
ABOUT THE JOURNALIST, THEY SAY SHE DOESN'T APPEAR.

664
00:37:32,500 --> 00:37:33,793
WELL, YES. HERE, CASTLE.

665
00:37:34,961 --> 00:37:35,962
LILIANA.

666
00:37:38,714 --> 00:37:39,799
HOW SO DID THEY TAKE HER?

667
00:37:40,216 --> 00:37:42,927
YES, WELL, THAT'S WHAT IT LOOKS LIKE.
THE CELL PHONE DOES NOT ANSWER US,

668
00:37:43,386 --> 00:37:45,012
HE IS NOT IN HIS ROOM
And...

669
00:37:46,430 --> 00:37:48,182
THERE IS BLOOD EVERYWHERE.

670
00:37:49,016 --> 00:37:51,435
OKAY, PERFECT. DON'T MOVE FROM THERE.
WE'RE LEAVING THERE.

671
00:37:53,312 --> 00:37:55,564
HE SAID HE WAS GOING TO SINK HIS FINGER
IN THE WELL TO THE CUBANS BUT,

672
00:37:55,898 --> 00:37:57,024
APPARENTLY, HE GOT OUT OF HAND.

673
00:37:57,441 --> 00:37:58,526
- I'M GOING WITH YOU.
- [Castle] YES.

674
00:37:58,901 --> 00:38:00,569
I NEED YOU, PLEASE,
GET ME A PLANE AND EQUIPMENT.

675
00:38:00,653 --> 00:38:01,904
- LET'S GO TO TIJUANA.
- YES SIR.

676
00:38:05,950 --> 00:38:08,536
[Carla] OH, WAIT FOR ME, WAIT FOR ME!
WAIT, WAIT.

677
00:38:08,786 --> 00:38:10,538
HOLD ON, JEVA, HOLD ON.

678
00:38:10,871 --> 00:38:12,832
OH, SORRY.
I WOULD NOT WANT TO OFFEND YOU, BUT NO...

679
00:38:13,916 --> 00:38:16,752
...THERE WILL BE SOMEONE MORE PROFESSIONAL
WHAT CAN DO THIS?

680
00:38:17,878 --> 00:38:19,922
- NEL.
- ALRIGHT.

681
00:38:21,215 --> 00:38:22,925
- PIRO...
- WHAT'S GOING ON? WHAT'S HAPPENING?

682
00:38:23,467 --> 00:38:24,468
WHAT'S HAPPENING?

683
00:38:35,313 --> 00:38:36,480
WHAT'S HAPPENING? THAT... ?

684
00:38:37,398 --> 00:38:39,108
WHAT'S GOING ON, HOMIE?
WHAT DID YOU DO, BATO?

685
00:38:39,734 --> 00:38:40,776
NOTHING, HOMIE.

686
00:38:41,569 --> 00:38:43,696
I JUST AVOID THEM FROM KILLING
HERE TO THE JEVITA.

687
00:38:44,655 --> 00:38:46,699
- IT'S THE TRUTH.
- LET'S SEE HOW THAT WOUND IS.

688
00:38:47,283 --> 00:38:48,367
- [Carla] THANK YOU.
- BY GOD, ISMAEL!

689
00:38:48,492 --> 00:38:50,786
WHAT SCRUBBING ARE YOU DOING?
THIS WOMAN HERE?

690
00:38:50,870 --> 00:38:52,455
OH, 'GET AWAY, GRANDMA.
'GET AWAY, GRANDMA!

691
00:38:52,663 --> 00:38:53,748
[Carla] LET'S SEE, GENTLEMEN.

692
00:38:55,041 --> 00:38:57,418
I AM VERY GRATEFUL
WHAT THEY ARE DOING FOR ME

693
00:38:57,585 --> 00:38:59,170
AND TO SAVE ME,
BUT,

694
00:39:00,171 --> 00:39:02,173
NONE OF THIS EXPLAINS
WHAT THE FUCK AM I DOING HERE.

695
00:39:02,256 --> 00:39:03,341
WHERE IS AURELIO?

696
00:39:29,200 --> 00:39:30,493
THERE IS MY 'APÁ,

697
00:39:31,160 --> 00:39:32,995
THE REMAINS
BY AURELIO CASILLAS.

698
00:39:33,746 --> 00:39:35,831
- IS AURELIO DEAD?
- [Rutila[ YES.

699
00:39:36,374 --> 00:39:38,209
AND YOU ARE GOING TO TAKE CARE OF IT
TO TELL THE WORLD.

700
00:39:43,839 --> 00:39:45,758
[gravel crunch]

701
00:39:54,850 --> 00:39:55,851
[Maldonado] VALDÉS.

702
00:39:56,769 --> 00:39:57,812
AMBARCITA.

703
00:39:59,063 --> 00:40:00,689
WHAT A PLEASURE TO HAVE YOU AGAIN.

704
00:40:02,149 --> 00:40:03,734
THE TASTE IS ALL MINE, BELIEVE ME.

705
00:40:04,693 --> 00:40:06,362
AND I COME TO REWARD

706
00:40:06,445 --> 00:40:08,697
ALL THOSE BAD MOMENTS
WHAT WE HAVE HAD.

707
00:40:09,448 --> 00:40:11,325
LET'S MAKE GOOD MEMORIES
YOU AND ME.

708
00:40:12,034 --> 00:40:13,494
WELL, WE ARE
ON THE SAME FREQUENCY.

709
00:40:14,495 --> 00:40:16,038
- FORWARD.
- [Maldonado] THANK YOU.

710
00:40:26,215 --> 00:40:28,467
WHAT WAS THERE?
WHAT'S UP, BULL? HOW MANY ARE THEY?

711
00:40:29,218 --> 00:40:30,678
THEY HAVE FOUR
ON THE FRONT PART

712
00:40:30,761 --> 00:40:32,430
AND FOUR OTHERS
IN THE BACK.

713
00:40:33,139 --> 00:40:34,473
- EIGHT?
- SIMON.

714
00:40:35,099 --> 00:40:36,225
FUCKING MOTHER, YOU BITCH.

715
00:40:38,352 --> 00:40:41,105
I KNOW MANY OF YOU WILL SAY
I AM TOO YOUNG FOR...

716
00:40:41,480 --> 00:40:42,982
...TO OCCUPY THE PRESIDENTIAL CHAIR.

717
00:40:43,482 --> 00:40:46,318
BUT I WANT YOU TO KNOW
WHAT MY MOTHER-IN-LAW

718
00:40:47,194 --> 00:40:50,573
HE WILL BE THE ONE WHO WILL PROVIDE ME
FROM THAT EXPERIENCE,

719
00:40:51,824 --> 00:40:55,786
THAT... GOOD ADVICE,
OF THAT WISDOM.

720
00:40:57,830 --> 00:41:01,208
TO WHOM, PLEASE, I ASK TO RECEIVE
WITH GREAT APPLAUSE,

721
00:41:01,292 --> 00:41:03,711
TO MRS. ESTHER AHUMADA.
PLEASE.

722
00:41:03,919 --> 00:41:06,922
[applause]

723
00:41:10,217 --> 00:41:12,720
GOVERNOR JAIME ROSALES
YOU'RE RIGHT,

724
00:41:13,345 --> 00:41:14,388
I'M GOING TO SUPPORT HIM.

725
00:41:15,264 --> 00:41:18,058
BUT FIRST, I'M GOING TO TAKE A FIGHT
TO HEAL MY STATE.

726
00:41:18,350 --> 00:41:19,768
[reporter]
WHAT DO YOU MEAN BY THIS?

727
00:41:20,853 --> 00:41:24,023
WHAT DO I THINK OF STARTING A FRONT FIGHT?
AGAINST DRUG TRAFFICKING

728
00:41:25,691 --> 00:41:26,692
And...

729
00:41:27,568 --> 00:41:29,612
WITH ALL THE PAIN
FROM MY HEART,

730
00:41:30,738 --> 00:41:32,865
I'M GOING TO DELIVER TO THE PROSECUTOR'S OFFICE
THE TESTS

731
00:41:32,948 --> 00:41:36,160
FOR THEM TO ISSUE AN ARRESTS ORDER
AGAINST DIANA AHUMADA,

732
00:41:37,119 --> 00:41:39,580
- MY DAUGHTER.
- [mumbles]

733
00:41:48,047 --> 00:41:49,965
IF THEY THINK THEY ARE GOING TO PUT ME IN
IN THE MIDDLE OF HIS CIRCUS,

734
00:41:50,049 --> 00:41:52,676
THEY ARE VERY WRONG,
VERY WRONG!

735
00:41:53,302 --> 00:41:54,595
WE NEED YOU, GRANDMA.

736
00:41:55,679 --> 00:41:57,223
IT IS THE BEST FOR EVERYONE.

737
00:41:58,015 --> 00:41:59,808
I NEVER THOUGHT
THAT THE DAY WAS GOING TO COME

738
00:41:59,892 --> 00:42:01,977
WHEN THEY DISRESPECTED ME
THIS WAY.

739
00:42:02,061 --> 00:42:03,479
TO ME AND AURELIO.

740
00:42:04,313 --> 00:42:07,149
I HAVE THE RIGHT TO BURY MY SON
WHERE IT SEEMS BEST TO ME

741
00:42:07,233 --> 00:42:10,194
AND NOT IN THE MIDDLE OF THIS SHOW HERE!
[sobs]

742
00:42:10,986 --> 00:42:13,822
WELL, THIS IS WHAT THE GUATEQUE IS GOING TO BE,
GRANDMA, WHETHER YOU WANT TO OR NOT WANT TO.

743
00:42:14,823 --> 00:42:16,075
OR ARE WE SOON GOING TO FACE US?

744
00:42:19,286 --> 00:42:21,747
- BLEEP, BLEEP, BRING A CHAIR, GUY!
- THE CHAIR! FAST!

745
00:42:21,830 --> 00:42:23,123
- BRING A CHAIR, BATO!
- CHINGADOS.

746
00:42:23,832 --> 00:42:25,417
- [Ismael] AH, WHAT THE...
- [gasps]

747
00:42:38,389 --> 00:42:39,974
[electronic music]

748
00:42:51,443 --> 00:42:52,444
[message alert]

749
00:43:23,976 --> 00:43:25,102
EVERYTHING WELL, MY LOVE?

750
00:43:26,270 --> 00:43:27,313
I SEE YOU A LITTLE SERIOUS.

751
00:43:28,689 --> 00:43:31,025
- I GOT A MESSAGE FROM RICARIO.
- WHAT HAPPENED?

752
00:43:36,071 --> 00:43:37,072
THAT?

753
00:43:38,949 --> 00:43:39,950
WHAT MY MOTHER...

754
00:43:40,743 --> 00:43:42,286
...REQUESTED AN ORDER
OF APPREHENSION AGAINST ME?

755
00:43:48,834 --> 00:43:51,670
IF THAT'S WHAT SHE WANTS,
WELL I'M GOING TO GIVE IT TO THEM, RIGHT?

756
00:43:53,589 --> 00:43:54,465
I'M GOING TO MEXICO.


